June 01, 2012
The first project I
went to see was MVRDV's Parkrand (trans. park edge) apartment housing,
completed 2007. Built as a part of the
urban renewal of the Geuzeveld-Slotermeer region, the building was intended to
provide an iconic quality to the neighborhood while situated to promote the
public space. It's true: there is quite
a lot of green space in the area with bike paths and benches, especially with
the park behind the units and approaching them from the Dr. Collinjstraat tram
stop, as I did. The building certainly
is an icon of the area. However, the
highlight of the building in my opinion, are the void spaces, the in-between
holes. These quite sizable voids
correspond with the recurring theme of
the "keyhole" or layered spaces.
This is right out of a Pieter de Hooch painting, only...centuries
later. A note to consider later: is it
easier to layer something that has more inherent three-dimensionality (depth),
as opposed to a row-house for example, that shows up in de Hooch's
paintings? On another note, one could
explain the necessity of the layering and voids due to functionality -
primarily to let in an adequate amount of light. This is another theme of Dutch social
housing, and an imperative of the architects MVRDV, as will later be seen in
the WoZoCo apartments. Balconies are
important as well, although you don't see them in the central area.
As another replacement
for the Geuzeveld region, the Ripperdahof is a U-shaped residential
complex. On the exterior (brick) the
surfaces are generally austere and closed off, but the interior (steel) opens
up to become more transparent, with views out to the interior courtyard garden,
providing access to the apartments and acting as balconies. Note the windows cleanly framed by wood both
on the interior and exterior.
Continuing with the
post-war regeneration is another project in Amsterdam West, the Nieuw Peil
designed by Meyer and van Schooten. Many
of these rebuilt projects remain disparate from their context (austere modern architecture
juxtaposed with formal/material/visual oddities of contemporary
architecture). The Nieuw Peil also
stands out from its context but in a more thoughtful way, making use of
concrete with a white granite aggregate, a shade that radiates with lightness
opposed to the surrounding dull gray and brown buildings.
After this I made a
bit of a trek to the Osdorp area, through which I had to traverse down a busy
street surrounded by thick vegetation.
Even in such a rural area, the bike lanes and pedestrian sidewalks still
existed, for which I am glad. Then I
arrived back into an urban area, with plazas that reminded me of Endwell
(without parking lots). The next two
residential buildings were sited right next to each other, standing in stark
but compelling contrast. Het Waterfort
by KOW Architecture is comprised of 130 apartment units, located literally on
the Sloter Pond. When I visited, there
was even a man fishing in the pond. Here
the brick fort is framed by the white contour, which transitions into the inner
white planes. Layered keyhole spaces can
be found into the interior courtyard, though not as dramatic as some
others. Next door is the Shutterstoren,
a tall cylindrical (high-end) aluminum and glass apartment building supported
by a comparatively slender concrete base.
Inside are 54 apartments and two luxury penthouses at the top. This building is somewhat of an anomaly in
the area. As I walked to my next
destination I came across a housing complex that reminded me of Le Corbusier's
proposed housing in Algiers, which is quite similar to the Smithson's 'streets
in the sky' concept implemented (unsuccessfully) at the Robin Hood
Gardens.
Then, I finally
reached the building I had set out for: MVRDV's WoZoCo (Oklahoma) apartments
for the elderly. This was one of the
first buildings I did a case study of during my second year first semester
during our housing unit. This initially
sparked my interest in Dutch architecture and primarily their approach to
housing, so it was quite surreal to be actually get to visit! The key elements here are the multi-colored
balconies, the jutting cantilevered volumes, and the translucent-transparent
hall on the elevation facing the main road (a very SANAA-esque move). The front faces a busy street, but not far
past that is a large field and farm with lots of cows.
At this point, my left
ankle was hurting quite a lot from being on my feet all day, so I decided to
walk back to a tram stop. On the way I
stopped by two more housing projects, both different than anything I had seen
today. The first was a three block
residence, similar to others with its public space in the center, but shorter
at only three stories. This responds to
the rest of the buildings in the neighborhood however. What would be sterile white modern-looking
concrete (reminiscent of Portuguese white boxes) is softened by the
articulation of wood around the edges.
The residence is sited between two parks, allowing access in
between. The other building is called De
Opgang, designed by KCAP as a mixed-use development, with 79 housing units, a
church, child care, and parking garage.
This stands out from the other buildings in its slate materiality, but
is similar with its inner public courtyard.
And with that, I
caught the tram back and got off at Dam square.
Walked through the Spui and found the American Bookstore, which has a
really cool interior. On my way back to
the hotel I walked through the Rembrandtsplein and stopped into a FEBO - where
you can get fresh Dutch food from vending machines in the wall. I know, it sounds weird, but it was pretty
cool. I enjoyed my sandwich thing with
an Amstel beer (I say that because I honestly have no idea what it was, or what
kind of sauce it had but it was surprisingly delicious nevertheless). Good productive day!
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