I had been debating on
staying within the center of Utrecht but I decided to hop on a bus to visit De
Utihof, the university area, which has a lot of contemporary architecture. I am very glad I did. There are some crazy buildings there,
predominantly the Educatorium by Rem Koolhaas (rockstar Dutch architect based
out of Rotterdam with his practice OMA - they also designed the recent
architecture building for Cornell's campus); the university library by Weil
Arets; and these fantastic prefab container units that serve as temporary
housing for students. I had a good visit
there, then got the bus back to the hotel where I got ready for my tour. I walked out to the Erasmuslaan area through
the Wilhelmina park which was very nice.
There was a lot of construction right before the Rietveld house but then
I finally arrived! It
was...magical.
The house itself was
smaller than I had imagined it in my head after seeing so many pictures of it
in architecture lessons and books. Of
course, the same phenomena occurred when I visited the Barcelona Pavilion. That's why I always say you don't know a
building until you've experienced it.
You can look at photos all you want, but that's not how architecture is
meant to be perceived. Architecture is
about interactions with humans and space, and, as Gerrit Rietveld would argue,
architecture is the art of designing space, shaping space as a physical
material. Rietveld would go so far as to
say that materials themselves don't matter (brick, stone, wood - which are the
materials that the Schroder house was constructed with in 1922, traditional
materials painted and surfaced although Rietveld would have preferred concrete
but at the time that was too expensive).
Though it is now a
UNESCO landmark, the house itself has an interesting story. It was designed for Truus Schroder-Schrader
and her husband and three children. She
specifically asked for Rietveld who was an acquaintance of her husband and
primarily a furniture designer at the time, and this became his first ever
constructed house. Truus Schroder and
Gerrit Rietveld designed many of the components of the house together, and they
really were kindred spirits. Actually,
after Mrs. Schroder's husband had passed away when she was only in her 30s,
Rietveld actually moved into the house with her towards the end of his
life. Rietveld at that point had been a
leader of the De Stijl movement, along with people like Theo van Doesburg, and
Piet Mondrian (read: black/white, red-yellow-blue, and lots of right angles).
Unfortunately, it was
strictly forbidden (verboden!) to take pictures of the interior, but that's
where the real magic happens. The first
floor is divided into rooms in a generally typical fashion. Colors are used to indicate different
functions, for example the vertical surfaces differ from the horizontal, which
differ from where the hand would come into contact with a drawer or doorknob
for example. On the second level,
however, everything changes completely due to the moving partitions. This means that there is virtually no
singular configuration to the rooms, as the three bedrooms can be closed off or
opened up depending on what the needs were.
This was such a radical design for the time that it was said that the
two young daughters at first didn't want to have friends over and denied living
in "that crazy looking house."
Anyway, actually being
there, as I've said, brings everything together in a new light. Literally.
After all those years of becoming familiar with both the architect and
project, I can now say that I get it - in the way the architect intended. It was a great moment for me, one where my
inner architect geek started doing backflips.
I also took a look at
Erasmuslaan 9, a row of social housing also done by Rietveld, and right across
the street from the Schroder house.
Apparently Truus bought the property so she could control what her view
would be, and also to give Rietveld more opportunities to build. Crazy.
I then went back to
the hotel for a freshening up, as it had just started to rain. I then headed right back out to the city
center, where I visited the Centraal Museum (also currently featuring a
Rietveld exhibition!) and also the Sonneberg Museum and Observatory. The Centraal Museum was ridiculously large
and interesting, with 11 separate exhibits.
Besides the Rietveld exhibit, there was interesting Utrecht-specific
paintings in the Carravagist style, as well as landscapes and others. There was also an exhibit of two contemporary
painters, one being Jean-Michel Basquiat.
The only reason I know him is because Anthony Titus introduced us to him
in my painting/architecture class. It
was all really compelling work. On the
other hand, the observatory is a very old building from the 1500s, and served
as a bastion as well as the meteorological center for Utrecht, and is still a
functioning observatory. It was really
cool to explore.
At this point, I was
getting really hungry so I headed in the Oorsprongpark area and decided to stop
off for dinner right on the corner of the street my hotel occupies. The place was called De Kust. It had a lot of seafood on the menu, but they
didn't have an English version so I can't tell you everything. I ended up ordering the most delicious
pappardelle pasta with butter and crème sauce with 'tiny lobsters' which kind
of looked like baby shrimp but not, also with a variety of vegetables in the
sauce such as zucchini and baby corn.
Let me tell you - I demolished that plate because I was so hungry, but
there was a LOT of food there. I
was basically the only one in the
restaurant because it was a bit too early for European dinner-time, but soon
after two other older women sat down at the table next to me, and eying my
dish, decided to both go with that as well!
It was the best full dinner I've had in the Netherlands, and not because
it was the only real dinner I've had.
Right now I'm pretty
tired, but I should get my stuff together to leave tomorrow. I check out by 11am and then head out to
Rotterdam! It's crazy, I could probably
have spent one or two more days here, but I got to see all of the things I
wanted to and much more.
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